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Archives – 2005-2006 SEASON
Montreal, March 12, 2007 LAB N°9: COLLECTIVE BODY
Montreal February 14, 2007 O VERTIGO INTENSIVE WORKSHOP
Montreal, November 14, 2006 O VERTIGO AT THE THÉÂTRE OUTREMONT
Montreal, October 16, 2006 EUROPEAN PREMIERE OF THE RESONANCE OF THE DOUBLE
In Germany later this month, O Vertigo will first present ANGELs at Künstlerhaus Mousonturm in Frankfurt, together with excerpts of The Resonance of the Double. The complete version of The Resonance will follow at Tanzhaus nrw in Düsseldorf. .
Montreal, August 28, 2006 LAB N°8: BODY AND LIGHT
Montreal, August 21, 2006 A LOOK AT THE 2006-2007 SEASON
Archives – 2005-2006 SEASON
Montreal, May 15, 2006
Montreal, March 20, 2006
Montreal, March 20, 2006
Montreal, February 9, 2006
Montreal, January 23, 2006
Montreal, October 18, 2005
Montreal, September 6, 2005
Montreal, September 6, 2005
Archives – 2004-2005 SEASON
Montreal, February 7, 2005
Montreal, January 31, 2005
Montreal, September 29, 2004
Montreal, September 18, 2004
Montreal, September 14, 2004
Montreal, March 17, 2004
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« Laurin's constant courage and open-mindedness are qualities that mark O Vertigo, impelling it to take new risks with the playful fearlessness its name implies. » Linde Howe-Beck, Dance International , automne 2006
ÉTUDE #3 POUR CORDES ET POULIES
“The metaphor of the connections that join us and keep us apart is rendered in visually breathtaking tableaus.” Frédérique Doyon, Le Devoir, Montreal, Canada, March 9 2007
Angels
"What's great about the artistry in ANGELs is that Laurin has repositioned herself, imbuing the work with an unobtrusive tone, yet one that is undeniably personal, human and true."
Passare, or Another shape for infinity
A sensitive and infinite revelation "Invention in every step, poetry in every intention, and tenderness in every gesture: Ginette Laurin's choreography is a sensitive and infinite revelation." La Voix du Nord, Lille, France, April 10 2004 |
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Dancing by traces "A trajectory drawn on the table and reproduced, the image reworked, the memories distorted: the processes are diverse, well chosen and extremely well done. Sets and costumes are devilishly inventive and sophisticated to a fault. Nevertheless, it's when the choreography abandons this whole conceptual apparatus that its point is most clearly pertinent—when this shattering, soaring dance abruptly breaksoff—that we feel the magic of this research on the dancer's traces." Philippe Verrièle, Le Journal des spectacles, Paris, May 2004 |
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"Movement, light, color, shadow, darkness-everything in Passare comes together to create images that takes the viewer on a journey into the realm of things unimaginable because unproven." Was ist los?, Linz, Austria, April 19 2004 |
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"Laurin's inventiveness is O Vertigo's primary attraction. She played upon trace elements of memory in Passare, and how they intertwined and altered form in a sometimes clever, sometimes poignant, nearly always surprising fashion." Pittsburgh Post-Gazette, Pittsburgh, May 17 2004 |
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"It's about the brevity of life. About the way we stagger through its rapid pace like remote-controlled puppets, trying to catch a breath or a moment of rest. But in the background, the clock ticks relentlessly on, and someone is counting down to the finish. And that's one of the most impressive moments in this intense and gesturally rich choreography. As one dancer counts from 0 to 127 in time with the clock, the dancers move at breakneck speed, hurtling into one another and pushing each other away, falling and scrambling back up-only to be asked by the timekeeper just how they were feeling at 122." OÖNachrichten, Linz, Austria, April 19 2004 |
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"moments of shivering beauty that brush the sublime." |
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"Ginette Laurin's company performs with energetic appeal a complexity of movement sequences. What's most impressive, apart from the dancing itself, is Laurin's use of space. Here, she is veritably an architect of space, working with an immense depth of field, carving the space with her dancing bodies." |
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BOOK
Anatomie du vertige. Ginette Laurin : vingt ans de création
Anatomie du vertige follows Ginette Laurin's artistic progression from her debut as a dancer with the Groupe Nouvelle Aire up to her latest choreographical creations. It is an art book as well as a work of reference, offering an accessible introduction to this artist's visual and sensory world.
Under the direction of Michèle Febvre, with the collaboration of Guylaine Massoutre, and with a foreword by Denis Marleau.
Published by Les Heures bleues, Montréal, 2005 Format: 21,5 X 28 cm | 126 pages | 39,95 $
Ginette Laurin, Profession : chorégraphe
Henri Barras, Montréal, Éditions Mnémosyne, 195 p., 1995
MUSIC
étude #3 pour cordes et poulies original music composed by Nicolas Bernier and Jacques Poulin-Denis
Music of Déluge, La Bête and Passare
CDs $18
OTHER ITEMS
O Vertigo 20th Anniversary T-shirts $20 Men's: M, L
Order directly from O Vertigo: e-mail us your order details and your name, address and telephone number.
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La Chambre Blanche (re-creation 2008).pdf étude#3 pour cordes et poulies.pdf |
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